This is the funniest thing I've heard in a long time. From Frank DeFord: In Fair Glendale, the Bard's Super Bowl Play
Upon this line-ed greensward set within
A desert the Almighty fixed but for cactus
Will be this, our strange stage for Sabbath's pigskin war,
Waged by mesomorphs come from green Blue States afar.
I feel a little bit late, like I'm copying some from Andrew Peterson's post in The Rabbit Room last week. But I had been working on this one in my head for a few weeks now, so I'll share it anyway.
Some of you may remember the popular Christian band Burlap to Cashmere, active in the late 90's and known for their world-music sound. The lead singer for that group, Steven Delopoulos, has gone on to do solo work and recently released his second album, Straightjacket.
Following in the pattern of his first album, Me Died Blue, Straightjacket is a collection of thought-provoking modern folk music. Borrowing heavily from his Greek heritage (and even overlaying audio from the Greek Orthodox liturgy), Delopoulos' guitar work is driving and pulls you through the music.
Read more . . .
The first song on the album, "Ruin of the Beast", is an amazingly complex song. (Another) Stephen commented on The Rabbit Room, "I’m hoping to figure out a little of what it means within a couple of years." I would have to agree. In this song, and many others, Delopoulos paints a canvas so deep and intricate that, while stopping to admire the beauty of one section, we may still miss the whole of the artwork. Below is the video for this song, which has been released on YouTube.
Other highlights of the album include "Work to be Done", a song about lending into the great work which God has set for us, and "She Held My Hand" about a man being lead away from a self-styled path to fame to find Christ. The songs "May I Always Keep My Feet Upon the Ground" and "Halt" are stylistically very different from the other songs, having more of a call-and-response or gritty chant feel (respectively). "Open Your Eyes" is perhaps to most hauntingly beautiful song I have heard in a long time - listen to the clip on iTunes and enjoy the mornful beauty of the song.
Many people may not be so interested in listening to songs requiring this much thought to fully understand; as a people who predominately listen to music on the radio while hopping in and out of the car and rarely able to listen to a song in its entirety, this can be understood. But at times it is well worth the escape from the normal routine to make time and absorb great artwork. Delopoulos' Straightjacket is the perfect offering for such a retreat, and I would recommend it highly. Currently, it is only sold as a download through Delopoulos website or on iTunes, but at $10 it is well worth the price.
Tags: Steven Delopoulos, Burlap to Cashmere, Folk, Greek Music
Okay, so I feel I should come clean a little bit here. Honesty is the best policy, after all. You may have noticed that I've done a few album reviews lately, months before the album is due in the stores. You've possibly been wondering just how I was able to get hold of this music so far before it's release date. I mean, does Euphrony have connections? Is he really an inside man? A double-agent, planted by a label to promote their music after having spent years building "natural" relationships with other bloggers? Does he really have an iPod implant and ear buds surgically attached to his head?
The answer, in short, is: Yes. But no.
Read more . . .
As with all things, there is more of a story than just a simple one sentence answer. I feel, for various reasons, that I should share this with you (since, you know, you presumably read my reviews). Last fall I came into contact with a very nice lady at INO Records. Through conversation with her, I obtained the pre-release of Sara Groves' new album, Tell Me What You Know and reviewed it for you here. She liked it. I don't know if it was because my review style and writing are, in her opinion, good; maybe it was because I gave a complementary review to an easily complemented album. In any case, she liked my review well enough that they even linked to it from Sara's MySpace.
In fact, she seemed to have liked my review enough, and my willingness to distribute it a bit over the blogs, that she later asked me if I would like to be put on a list of their online/grassroots media partners - getting pre-releases and other info - give them a listen, and do some more reviews. I said yes, and last week I found a stack of pre-releases in my mailbox. The first that caught my attention was Addison Road, as I had been hearing some good things about them for a few years but had not really heard their music. Thus you ended up with Monday's review
What do I get?
So, what do I get out of it. I get a free CD, weeks or months before it hits the shelves. I get traffic to my blog. I potentially get (indirect) access to the artist for interviews, which can posted here or over on I2A depending on the focus of questions. And, well, that's about it. No big, fat paycheck in it for me. And no real motivation to give easy reviews, except to keep the free CD's coming.
What do they get?
What they get out of this is mostly free publicity for their artists. I'm sure that positive reviews would help, but I don't promise them that. When I review and link to the artist, it lets people know more about them. Viral marketing. That's all.
Why am I even mentioning this?
Well, I bring it up to say this: I will have reviews that are less than flattering, and I will be reviewing music that I don't often listen to or necessarily recommend. I'm not a mean person, and my reviews will reflect that. I think every person's music has a market, people who would enjoy it no matter my opinion. When I review music, I try to give an idea of some similar artists (good for comparison when the the artist is relatively unknown) and I will try to address the target audience for which the music is aimed.
This is relevant as one of that stack I received last week is an album of contemporary praise and worship music. For those having read my blog for a while, and my comments on other blogs, you will realize that I am not such a fan of this genre. Okay, in full disclosure, I pretty much hate what it has done to CCM radio. But I'm a little conflicted here, because that does not equate to my not liking praise songs. I sing them every Sunday, some of them hundreds of years old. I find them to be a huge part of my Christian experience and worship to God. But I can get sick of even a great thing when I'm severely overexposed to it. Take, for example, Chris Tomlin's "Amazing Grace (My Chains Are Gone)": according to Radio and Records Christian AC chart, it had 1546 plays to an estimated audience of 3.757 million in the last week. By comparison to their AC chart, Plain White T's "Hey There Delilah" had 1595 plays to 13.067 million listeners. Relatively the same number of plays, but Tomlin's song hits about a quarter the audience, which translates into more plays per station.
Now, because I am conflicted I don't know just how to approach a review of such an album. Having thought it out, I think I'll do just what I do for any album. That seems fair, right? I'll listen to the music, and write on its merits and who its target audience is. I'll try to separate it from the genre as a whole so that I can speak to that artist and that album rather than speak to the whole genre. Does it have a good sound? Are the lyrics good? Is the music memorable, and does it distinguish itself from similar artists? Also, since this is music with a purpose, does it accomplish that purpose? Does it draw the listener into praise and worship of God? These are the questions I'm going to ask myself. I'll do my best to keep personal prejudice out of the reviews and speak to the music itself.
I just thought I'd let you in on my thoughts. Do you think I'm taking a good approach? How might you do this differently? And do you know anyone else who wants to give me free music?
I know it is what you've all been waiting for:
| 1) Have you ever, as an adult, gone to public places in your pajamas? |
| 2) Have you ever fallen asleep at a live event (movie, theater, concert)? |
 3) When was the last time you flossed you teeth? (Remember: be honest!) |
| 4) Have you ever stalked a famous person, in person or on-line, even for just a minute? |
 5) When did your teachers finally decide that your handwriting was acceptable? (Bonus points for those who were critiqued through college.) |
| 6) Have you ever watched PBS without contributing? "And if you watch one minute without contributing, you're a thief! A common thief!" |
| 7) Do you know the source for that last quote? |
| 8) Do you tend to associate these behaviors with others more closely than yourself? (Seek professional help, NOW!) |
The Dallas-based band Addison Road has been around the block a few times. Since their inception in 2001 they have independently released three albums, toured frequently, and made a name for themselves as an indie band that would likely soon land a label home. I took notice of them a couple of years ago, and now find myself listening to the first album they will release (March 18, 2008) on the INO label (MercyMe, Sara Groves, Todd Agnew). The self-titled album, I think, lives up to the hype they have been given.
The band, fronted by Jenny Simmons (who maintains a decent blog), has a sound that is at times similar to Plumb or a less ominous Evanescence. They have been compared to a more rock-oriented Superchic[k] - and that seems fair, as well. The music on Addison Road shows the maturing of their sound over the last few years, as they have become more comfortable with themselves as a band. Lyrically, the album explores the themes of Christian life and offering worship to God - at times overt, and other times more subtle, but never in your face or brash.
Read more . . .
One of the themes heavy in the music is hope. A few years ago, when in a troubled time as a band, they were told that they were being too negative and missing the hope: "Everything rides on hope now." Lead guitarist Ryan Gregg wrestled with this, and the result was one of the centerpiece songs of the album - "Hope Now".Everything rides on hope now
Everything rides on faith somehow
When the world has broken me down
Your love sets me free.
The idea of hope crops up again in "Start Over Again", as the band explores the opportunity of renewal in God when we've sinned.If you feel ashamed
Of the choices that you’ve made
You can be whole again
And return to your innocence
Every moment is a second chance
At starting over, at starting over
Move from the past to the present tense
You can start over, start over again
The first single off Addison Road is the song "All That Matters". Speaking to the common theme of the pressure to perfection felt by many, especially teens, "All That Matters" reminds that in God we are complete and without need. Combined with a memorable sound, this song will stick with you.
"Casualties" speaks the fruitless pursuit of the American dream, while the songs "This Could Be Our Day" and "It Just Takes One" are calls to seek out and care for those in need. Another standout song is "Always Love", which with a driving beat and hook in the bridge speaks to the need move beyond hate and violence in order to grow and mature.
The final song on the album is the pensive "What Do I Know Of Holy". A reflection of the feeling of separation from God, it confesses a self-focused religion and the distance it creates from Jehovah.I’ve made you promises a thousand times
I’ve tried to hear from heaven
But I talk the whole time
I think I made you too small
I’ve never feared you at all, no
If you touched my face would I know you
Looked into my eyes could I behold you
Overall Addison Road is a catchy album and good label debut for the band. Enjoyable listening, meaningful lyrics, and a general avoidance of the standard CCM formulaic writing make this worth listening to. While there is room for growth in the writing, Addison Road has found their musical niche and work well in it. The album, due out March 18th, can be pre-ordered through the band's website, with the incentive of being able to download mp3s of three songs off the album when you pre-order. (The band also has a history of encouraging fan support through their Roadies - which offers merch in return for promoting the band - taking a step beyond the usual level of band/fan interaction.)
Tags: Addison Road, Indie Band, INO
I was tagged a few days ago by Texas in Africa to do this. I've been slow because I've done this several times already, and I have a policy of full disclosure here on my blog (some may call it too much information). So, I would hope you already know me like the son your aunt's coworker's neighbor never had. If not, I give you this:
I've just added a post on I2A. This is something of a current events post, about an issue that seriously angers and saddens me. I've considered posting on this for some time, but had not (hoping someone more qualified than me would), but seeing this news article prompted me to go ahead and talk about the issue of sex trafficking and forced prostitution.
It's an ugly issue, but one that should not be ignored (as it too often has been). As a father with a four-year old daughter, I don't want to see her grow up in a world with this worry over her head. It's not just an issue for "someplace far away" - it's happening here in the U.S., and anyone could be affected.
Go read the post. Consider how you can change the world, if only a little, and pray for those whose lives have been scarred by this modern slavery.
Tags: Sex Trafficking, Forced Prostitution, Modern Slavery
Diet Orange Slice - bleah!
Tags: Diet Orange Slice, Pantry, Mystery
You can read more about this "mean" and "uncool" mom in the Des Moines Register. If you have trouble reading from the picture of the ad, it reads:
OLDS 1999 Intrigue, Totally uncool parents who obviously don't love their teenage son are selling his car. He only drove it for 3 weeks before snoopy mom who needs to get a life found booze under the front seat. $3,700 obo. Call meanest mom on the planet.Were this a first offense, I might label it extreme; but I don't know the background so I won't comment on that. All I have to say is it's pretty gutsy of the parents to follow through (the car sold in two weeks, they ran the ad an extra week because of the number of supportive phone calls they got). And the kid should've listened to the rules.
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